![]() ![]() Melissa Eleftherion is a writer & visual artist. Originally from Chicago, she lives in London with her partner and son. She is the co-editor of Plath Profiles, the only academic journal dedicated to the work of Sylvia Plath, and the founder of Thank You For Swallowing. Her work has appeared in Bitch, Well Versed (The Morning Star), The Mary Sue, 3:AM Magazine, Magma, South Bank Poetry, Ink Sweat and Tears, London Grip and in anthologies. Her pamphlet Static Cling was published by Dancing Girl Press in 2012. From 2013 through 2015 Jana has been in over 25 exhibitions globally.Ĭathleen Allyn Conway is finishing her PhD in creative writing at Goldsmiths College, University of London. Communicating through visual means, in both the commercial and fine art worlds, has led to Jana’s particular style of self-expression. Capturing the human form and psyche with minimal, distinguishing curves is the thread that weaves her artwork together. Her creative process is defined through a combination of practices, predominantly painting and sculpture. Jana Charl is a native of Los Angeles and a dual US-Swiss citizen. His writing has appeared in Harvard Review, Mid-American Review, North Dakota Quarterly, RATTLE, River Styx, Southern Humanities Review and many other journals. He is an ex-con, ex-husband, ex-reporter and completely exhausted by all the things he isn't anymore. The authors think these tropes are symptomatic of our escapist and violence-saturated culture, to the point of becoming an undeniable portion of American folklore.Īce Boggess is the author of two books of poetry: The Prisoners (Brick Road Poetry Press, 2014) and The Beautiful Girl Whose Wish Was Not Fulfilled (Highwire Press, 2003). This poem is part of a collaboration (tentatively titled Re:ACTION!) based on the common tropes of action films. Sighing finally too/ evolution’s just greedy / a madcap director /ĭemanding each of her breeders / to keep the seed / flowing even after / & when the machine / sighs to a standstill / we find ourselves / Whatever boxers / or briefs brand name / sponsored this scene / ![]() Reaching down toward / the power cord / in knick-of-nightmare /Īll-is-lost mode / the spinning blade / already fraying jeans / There’s a vas deferens / between a man’s / purpose & penis /īut at this splitting / second they’re working / in tandem intentions: / Its generational pulse / vibrates hero’s brain / back into action / Our sex lives as crucial / to the continuation / of the universe / Hunching operators / playing up the way / we’re all wired to see / Safely tucked away / behind peek-a-boo / hands camera lens / Of course we wanna / watch our hero freak / out for his manhood / HERO TIED UP W/ BUZZ SAW MOVING TOWARD JUNKįreud would have a / phallus-laden field day / afraid of castration / With black-and-white polka dots of laughter. Your back will feel strong and your belly soft That feathered carcass you used to call your body. Van helsing season 2 episode 1 dylan burn free#The first cut will smart but soon you will be free of Leaves me no choice but to sharpen my blades. Is to consent to staying in my peripheral vision.Īnd to let me stuff my panties in your mouth To ask that I part my lips to answer questions To take flight, you must show me your belly. The colour of arterial blood after it’s cleansed by bloodletting. Yes, I know your northern wings are not actually crimson, No one is asking anything of you.Īs you take flight, I will look up at the deepeningĬrepúsculo darkening your underwing feathers. The rays warming your diaphragm only seek an opening, The slanting autumn gold will bathe your body.Ī sideways glance may feel less threatening. "Identifying the Dead" contains quotes from police reports, set off with single quotation marks.īody #29 had a belt buckle with a silver dollar.’ It is considered the largest mass-killing of gay people in the U.S. Thirty-two individuals in sixteen minutes. On June 23, 1973, someone set fire to the UpStairs Lounge, a gay bar in the French Quarter, killing ![]() My measured breathing: if I took in too much, My white face, my little eyes, my squared-off jaw, Strumming my rib cage, I watched myself in the window, Shrinking down the hall and bobbing out of sightĭown the stairs. His son’s head reflected on the wall in the glass On my shoulder, his chin inches from my neck,Īnd I kept inflating my diaphragm, my stomach Van helsing season 2 episode 1 dylan burn how to#He taught me how to breathe with one hand THE PASTOR'S SON LIGHTS THE CHURCH ON FIRE ![]()
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